Will they succeed in their intent? He also intends to take a new wife, while feeding his bevy of female vampires.Count Yorga continues to prey on the local community while living by a nearby orphanage. However, despite my fear that this would be another stale film, this one turned out to be better than average and well worth a look. As I said, an entirely realistic series of responses that really aids the viewer in buying in to the story. He is about to take her when he hears Baldwin scream his name, who seemingly has escaped the brides. He also intends to take a new wife, while feeding his bevy of female vampires. Several ingredients really help to lift this modern-day tale above the raft of similar competitors. Yorga quickly kills him by choking him to death, then having his servant Brudah (who has seemingly supernatural strength himself) break his back. The film consists of Donna's friends trying to learn more about, and subsequently finding themselves further and further into trouble with, Count Yorga. It is the sequel to the 1970 film Count Yorga, Vampire. Paul decides to go to Yorga's house and disappears and Donna's mate Michael 'Mike' Thompson (Michael Macready), Jim and Donna decide to pay a visit to Count Yorga late night. First of all, the sets and atmosphere are great. Memorable moments include Quarry enduring a late night tete-a-tete with Perry and Macready and Lang experiencing a gruesome encounter with her cat. Following a jarring and somewhat harrowing experience in the sance, the party breaks up and young Murphy and Lang give Quarry a ride home. Count Yorga, Vampire has been the subject of several home video releases in nearly all formats since the 1980s. The times were a-changing, and audiences found themselves growing bored with the boilerplate vampire tales that low-budget studios had been cranking out through the 60s. The family is quickly overrun. Quarry watches as two of his undead brides ALMOST make out and Lang has a self-caressing sequence as she's falling under his spell. Low-rung vampire pic "Counts" on Quarry to elevate it. Language links are at the top of the page across from the title. COUNT YORGA, VAMPIRE (Bob Kelljan, 1970) ***, My Friend Will Have a Hamburger and a Quart of Blood, Please, Another Terrific Vampire Flick from the Sexy 70's, Different take on the legendary Dracula story. Perry gives a skilled, knowing performance as well, obviously aware that a blend of seriousness mixed with levity was called for in the production. Quarry suggested that producer/actor Michael Macready and writer/director Bob Kelljan ditch the softcore element and make a more typical horror picture that could play to teenage audiences in suburban movie houses. It is no mystery, due to the title of the film, that he is a vampire. Arkoff retitled the film COUNT YORGA, VAMPIRE, explaining that nobody would know how to pronounce Iorga and that horror fans would be turned off by the loves of, particularly with the absence of any sex sequences. | AIP insisted that they needed an unrestricted GP rating for the film in order to get the film released into the largest possible number of theaters, most importantly drive-in theaters. Marsha and Quarry had been lovers. He also grimly adds they might have to kill Paul and Erica too if they have become vampires, since the vampire curse will make them evil and loyal to Yorga. The film contains some truly startling moments (such as the count's toothy grimace as seen through a van's window), restrained but effective use of gore, a deliciously downbeat ending, and even a nice little shocker as a final capper. Quarry plays the Count with a charm that is both amiable and yet caustic. The film was given a second VHS release by MGM Home Entertainment in September 2000. 2016 Daily Grindhouse - All Rights Reserved | Design by, COUNT YORGA AT FIFTY: HOW A SKIN FLICK BECAME THE INFLUENTIAL VAMPIRE MOVIE OF THE 70s. Robert Quarry is the man as Count Yorga, and what's up with the coffin movers? For the rest of the decade he mainly concentrated on TV before sadly having his career cut short by cancer. Perhaps best of all is the wholly credible reaction of the guys (Michael Murphy and Michael Macready, the latter also serving as producer, and whose father, hissable character actor George Macready, provides the wonderfully dreary intro narration to the film) to the horror that has entered their lives. 1970 saw Christopher Lee return as Count Dracula in not one but two Hammer entries, TASTE THE BLOOD OF DRACULA and SCARS OF DRACULA. Sure, it's done on a shoestring, but director Kelljan gets the most out of the cavernous mansion interiors and clever camera set-ups. Up until then all vampire films had been set in Europe in the 1800s or early 1900s. Sign in to rate and Watchlist for personalized recommendations. We first meet Count Yorga at a seance he holds for a group of friends, one of which has just lost her mother. They asked me to read the script, Quarry explained to New Hollywood Gothique. This was really the first vampire film that treated them as swift and animalistic. Again, nobody gets a happy ending. However, as she does, Bruhda silently arrives drags away the corpses of Cynthia's mother and father to a quicksand pit on Yorga's property, disposing of the physical evidence. Here, the Bulgarian-born Count Yorga is a recent transplant to California, and we first meet him conducting a sance on behalf of Donna, whose late mother was involved with the alleged psychic. It's also kind of slow and surprisingly dry with its tone. There's even a henchman who's (apparently) a werewolf! The story features Quarry returning as the infamous vampire Count Yorga, along with his servant Brudah, both of whom have been revived by the supernatural Santa Ana winds. Try Count Yorga, sort of a Diet Dracula. This time, the Count (played by Robert Quarry), having purchased an old mansion in California, is terrorising the nearby Westwood Orphanage. Erica visits Dr. Hayes to have the mysterious bite wounds on her neck inspected. The following day when Paul and Erica return to the city, Paul tells Michael about the attack. Count Yorga was something of a departure for vampire films in the seventies due to the fact that it's star isn't a bloodthirsty maniac, but rather a dapper and respectable rich bachelor, who happens to be a vampire. Cynthia tries to run from him, but Baldwin pulls her back and promptly bites her. From there, the audience moves along to a seance in a hip Los Angeles home. They resign themselves to spending the night in their van. Actually, my favorite parts are those between Quarry and Perry where they play cat and mouse. A coffin is loaded to a truck at the Port of Los Angeles. "Count Yorga" doesn't distinguish itself in any interesting ways from this pack. I said why dont you just make a regular horror film out of it? In England Hammer released some classics like 'The Vampire Lovers' and 'Vampire Circus', while Europe gave us some gems by Rollin, Franco and Larraz. . Jennifer, suspicious about Tommy's involvement with the Nelsons' disappearance and his visits to Yorga's mansion, loses her patience and slaps Tommy who stares at her in a vengeful manner. 'Count Yorga, Vampire' is interesting because it is set in contemporary America, quite a rarity at the time. Most of the clichs of the vampire sub-genre are here, and it's only really the setting that has been changed. Lesson to be learned: If your girlfriend or fiance happens to develop sudden listlessness after attending a seance conducted by a smooth-talking count from Bulgaria, or perhaps develops a yen for consuming dead house cats, you may want to heed the advice of your doctor friend when he tells you that the count in question may be nothing less thana vampire! When CBS ran the movie in the 1970s on its Friday Night Late Movie, the on-screen title was Yorga Returns. Michael locks them in and drops his cross, believing the danger is over. A low-budget production, it updates its bare-bones reworking of Stoker's story to the then-present of about 1970 and resets the action in Southern California. Metacritic Reviews. While Hayes distracts Yorga with enthusiastic questions about Yorga's occult experiments, Brudah rebuffs Michael's attempts to explore the mansion. Count Yorga, Vampire From fun-loving perk girl to a undead bride. Director Bob Kelljan (Scream Blacula Scream) delivers a one-two punch of classic cult cinema mixing chills, thrills, style, and suspense with a knowing wit that revels in the . The ending, which I won't spoil, is also a bit confusing as to what actually takes place. and apparently eats the family cat, but that scene seems to have been removed from the version I saw on Comet channel. A woman named Donna hosts a sance in hopes of contacting her recently deceased mother. The Return of Count Yorga(originally titled Yorga Returns) is a 1971 American vampirehorror filmdirected by Bob Kelljan and starring Robert Quarry, Roger Perry, Yvonne Wilder, George Macready, Rudy De Luca, Edward Walsh, and Craig T. Nelsonin his feature film debut. Alterations to the movie's soundtrack were also required to lessen the impact of violent scenes that remained in the film. The films climax features our heroes storming Yorgas home at dusk, having overslept despite their plan to attack during daylight hours. Lang is attractive and reasonably good (soap fans will be interested to know that her daughter Katherine Kelly Lang has played Brooke on "The Bold and the Beautiful" for many years!) Upon finding Erica missing, Paul rashly goes to Yorga's mansion to rescue her. Not owning the rights to the Bram Stoker creation, AIP decided to invent their own vampire myth: the result is Dracula-in-all-but-name, being suave (sporting gracefully graying hair), cunning (even when caught off-guard, he manages to assert himself and turn the tables on interlopers), psychic (amusingly, he doubles as a medium at private sances!) Time capsule material. Hours later, Ellen's fianc Jason is lured to Yorga's mansion by Tommy, on the claim that he found Ellen. Reverend Thomas is sent to distract Yorga while Baldwin, Madden and O'Connor sneak in to search the manor, armed with sticks they can cross and hold up to ward off the vampires. He eliminates each of the friends one by one until it's up to two remaining friends to become reluctant vampire hunters to save Donna from an existence of living death. The Return of Count Yorga (originally titled Yorga Returns) is a 1971 American vampire horror film directed by Bob Kelljan and starring Robert Quarry, Roger Perry, Yvonne Wilder, George Macready, Rudy De Luca, Edward Walsh, and Craig T. Nelson in his feature film debut. Count Yorga, Vampire Special Effects . Those who only see 'The Return' will wonder what all the fuss was about in regard to the original. The rest of the cast are pretty much unknown to me apart from Michael Murphy, an Altman semi-regular who also later appeared in 'Manhattan' and 'Magnolia'. One would think a movie called the best horror film of the year by Gene Siskel of the Chicago Tribune would end up on countless greatest horror films lists. Watch The Return Of Count Yorga: Yorga's Brides Rise From The Grave, Watch The Return Of Count Yorga: Yorga's Brides Attack. Screen:'Count Yorga, Vampire' and 'The Crimson Cult' Bow at Local Theaters", https://en.wikipedia.org/w/index.php?title=Count_Yorga,_Vampire&oldid=1146722089, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 26 March 2023, at 15:41. COUNT YORGA brought the vampire to modern-day America in full bloody color as culture and fashion were shifting: the free love era of the late 60s was giving way to the cocaine and disco fueled 70s, and the popularity of pornographic films was inspiring a new era for libertines. The Return of Count Yorga ups the ante and sees the sardonic Count on the streets of San Francisco, his sights set on an orphanage as a potential source of sustenance. Michael rams the charging Yorga with his stake, killing him. The picture opened on 10 Jun 1970 in Los Angeles, and took in $160,000 in box-office receipts in the first week of release, according to the 12 Apr 1971 DV. Boyfriend Mike and pals Paul and Erica are along for support, disbelievers all, until strange occurrences cause Donna to get hysterical. Meanwhile, in-house director Roy Ward Baker directed Ingrid Pitt in THE VAMPIRE LOVERS, which featured explicit lesbian eroticism. By the end of the 1960s the boom in Old World gothic horror had begun to wane in the face of present day terrors like the Vietnam war. To her horror, she sees that Baldwin's skin has turned pale and bite marks are on his face, revealing that he has transformed into a vampire (having apparently not escaped from the brides unscathed). However, she notices something wrong and pulls away. It was followed by a sequel, The Return of Count Yorga . Excellent too are Roger Perry and the entire cast, except for Perry's bed partner who gets more lines than she can handle. That score kicks off the film with dissonant strings punctuated by a wolfs howl as an ominous narration from George Macready (writer and star Michael Macreadys dad) pontificates on the existence of vampires as Count Yorgas coffin is transported from the old country to his California mansion by his Renfield-inspired assistant, the hulking Bruddah (Edward Walsh). Prepare to meet Count Yorga. Welcome to the Catacombs of Horror. Paul (Michael Murphy) and Erica Landers (Judith Lang) drive Count Yorga home in an isolated manor and in the return, their Kombi gets mysteriously stuck in the mud. The 1970s produced acclaimed horror films like The Texas Chainsaw Massacre, The Exorcist, Jaws, Carrie, and Halloween. One reason for that is that in some significant ways the movie isn't very good. They are preparing the orphanage for a fundraising costume party. After taking the Count home, Paul and Erica are waylayed, and next the day, a listless Erica is diagnosed by their doctor as having lost a lot of blood. He also intends to take a new wife, while feeding his bevy of female vampires. Marx composed quite a few exploitation scores throughout the 70s, returning for the following years sequel RETURN OF COUNT YORGA, its pseudo-sequel THE DEATHMASTER, as well as Kelljans SCREAM BLACULA, SCREAM, ACT OF VENGEANCE (aka RAPE SQUAD), and the sci-fi cheapie, THE ASTRAL FACTOR. Robert Quarry makes your blood run cold as the modern day Count Dracula, and Roger Perry is driven and pretty funny as Dr. Hayes, the modern day Dr. Van Helsing. As well as two Count Yorga movies he also directed 'Scream Blacula Scream' and the notorious 'Rape Squad'. While I wouldn't call this a classic vampire movie, it does have enough offbeat touches to make it worth a look for B horror fans. 1970 saw Christopher Lee return as Count Dracula in not one but two Hammer entries, Before becoming a genre icon Quarry would go on to appear in, Quarry would don the cape again one year later for the studios, Pianist Bill Marx was brought on to compose the films score, arguably one of the more traditional elements in this modern vampire tale with screeching strings and creepy organs to punctuate the supernatural happening. YORGA began its (after)life as a softcore skin flick under the title, THE LOVES OF COUNT IORGA, (that title card is still featured on most available prints of the film). User Ratings Like most of the films that I saw when I was younger I watched it on a small black and white T.V. Primaries have the right amount of pop to them allowing for rich blues, strong yellows, and . 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